Awards

‘The Writers Don’t Write for Their Peers…’ Six unique voices surface with The Asian Prize for Fiction’s Shortlist…

The writers do not write for their peers, and it has long been deemed unconventional to assess the work of published authors by their counterparts.  No individual has retracted their actions to enact a modification. Hence, The Asian Prize for Fiction was established with the explicit intention of deviating from conventional norms and established practices in the realm of literature.

This endeavour demanded significant contemplation regarding the replacement of judges and the implementation of alternative evaluation methods. The pivotal question concerned the most effective means for securing accurate outcomes. The logical conclusion was to enlist the input of readers. This led to the establishment of an organised cohort of enthusiastic readers capable of providing comprehensive assessments for each submission. We proactively engaged with book clubs and established a rigorous accreditation process. As a result, book clubs from various global locations are now actively participating in our esteemed literary accolade, The Asian Prize for Fiction.

Following an extensive process spanning seven months, 13 group discussions were conducted by 5 book clubs from Africa, Asia, and Europe. This global participation resulted in the identification of six books for the shortlist. The discussions were guided by evaluation criteria encompassing literary merit, relevance to global issues, authorial integrity, representation of the place and culture, readability, and the use of English as an international language. 

From the longlist, these six books have emerged as distinguished works, securing their place on The Shortlist for The Asian Prize for Fiction 2023. They are now awaiting the highly anticipated super shortlist- The Trio, which will be revealed in November 2024.

Here below is the shortlist.

Witch in the Peepul Tree by Arefa Tehsin

The grand old house of Dada Bhai sets the stage for a genre-defying narrative of suspense and intrigue, unveiling the presence of sinister forces that linger in the shadows. Arefa Tehsin skillfully unravels a mesmerizing tale that delves into the inherent darkness, crafting a spellbinding story that encapsulates themes of mystery and redemption.

Spell of Good Things by Ayobami Adebayo

Ayobami Adebayo’s compelling narrative of contemporary Nigeria delves into the potent dynamics of affluence, authority, and affection. The interwoven chronicles of Eniola and Wuraola provide a nuanced representation of a society confronted with formidable choices and the enduring pursuit of optimism amid pervasive political malfeasance.

Woman Who Climbed Trees by Smriti Ravindra

In this eloquently crafted narrative of migration and self-discovery, Meena initiates a journey to ascertain her true identity while adapting to her new life in Nepal. Smriti Ravindra’s poignant storytelling underscores the profound transformative experiences of women and the enduring resilience essential during challenging circumstances.

Rescuing a River Breeze by Mrinalini Harchandrai

The novel “Rescuing a River Breeze” is set in Portuguese-ruled Goa in 1961. It follows the story of thirteen-year-old Shirly Quarachim as she navigates the tumultuous events of her time. The unnamed author captures the essence of a bygone era with vivid detail and heartfelt emotion, creating a story of courage and resilience.

The Idle Stance of the Tippler Pigeon by Safinah Danish Elahi

Weaved into the lives of three adults who suffered childhood trauma that left them divided and scattered, Elahi’s work is an intriguing exploration of life’s depth and width. The story follows Zohaib, Misha, and Nadia as they attempt to find resolution, experiencing love, loss, trauma, and healing against the backdrop of Karachi’s elites and class divides.

Brotherless Night by V. V. Ganeshananthan

Sashi is a young woman torn between her dreams of becoming a doctor and the harsh realities of the civil war in Sri Lanka. “Brotherless Night” is a poignant exploration of love, loss, and moral dilemmas set against the backdrop of the conflict. Written by V. V. Ganeshananthan, the book offers a haunting portrait of resilience in the face of adversity.

Among the books in the shortlist, three books will progress to the next stage, ‘The Asian Trio.’ The winner will be determined by a composite criterion encompassing book club-based selection, a public poll, and evaluation by the Asian Committee. The Asian Committee consists of five permanent members and three rotating members annually. 

The Asian Prizes will announce The Trio on November 13th, 2024. In the meantime, on September 15th, 2024, a short review program will be open on the Asian Review Global website; the guidelines for the short reviews will be published on 1st September 2024.

This will allow individuals to vote for their preferred book and submit a concise review for ‘Reader’s Snapshot’.

We extend a warm invitation to our readers to embark on a captivating and enriching literary journey as they immerse themselves in the exploration of these six unique perspectives, narratives, and diverse cultural backgrounds. Each narrative offers a nuanced portrayal of life, weaving together an intricate tapestry of human experiences from different corners of the world. Join us as we celebrate the universality of human stories and venture across continents through the pages of these compelling literary works.

Amanda Klopp

6 replies »

Leave a comment