Shadows of the Past: A Review of ‘Dabi Aas’

Dabi Aas is a short, punchy, and deeply resonant read. It serves as a sobering reminder that love is a persistent ghost that doesn’t simply vanish because one says “I do” to someone else. For those looking to understand the deeper, often messy meanings of love beyond one’s “prime” years, this novel is an essential addition to their bookshelf.

Five Years On: The Asian Review Returns to the Word

After five years and 85,000 daily readers, The Asian Review strips away all images, adopts black-on-cream minimalism, and mandates 900-word minimums. Our globally trademarked black logo signals permanence: we’re desensitising readers from image-focused clicking, resensitising them to sustained thought. Not algorithm-chasing, but resistance training for attention itself. Literary culture demands depth.

Orbital by Samantha Harvey: A Meditation on Humanity from Above

Harvey’s Booker-winning novella transcends plot, offering sixteen hypnotic orbits of Earth through astronauts’ eyes. Like Virginia Woolf in space, it’s a philosophical meditation where perspective shifts like Las Meninas—challenging, beautiful, rewarding rereads. In 136 pages, Harvey captures humanity’s cosmic insignificance and profound meaning simultaneously. Utterly transcendent.

IndiGo Redefines Literary Residency: Two Days on Terminal Floors

IndiGo’s catastrophic meltdown has devastated India’s literary festival season. International authors stranded for days in chaotic airports, keynote speeches cancelled, cross-border dialogues destroyed. Over 1,000 flights grounded—not by technology, but by shocking mismanagement and greed. India’s cultural reputation lies in ruins as the world’s writers witness our aviation nightmare firsthand.

Of Legacies and a Beheading

When this opportunity to visit Belgium came along, I couldn’t think of a better adventure than to make this ‘pilgrimage’ to Geel. It didn’t matter that I couldn’t enter the church since it was closed for the winter because what I came to see was on the outside – the bas-relief depicting the beheading of Dymphna. Wouldn’t it have been more apt if Damon was holding the chopped-off head of Dymphna? Just saying…