Literary agencies are indeed gaining momentum. In essence, it is the same as actors/sportspersons having managers, we’re in the author’s corner to help navigate the complexities of the business, support and build on their vision for their books and writing careers. We’re here to help broaden their reach, and open doors to see their writing reach new audiences.
On the 07th of September from 4.00pm to 5.00pm (GMT+530), The Asian masterclass will introduce you a new author among its shortlist for The Asian Prize for Fiction.
I told the policemen, ‘Charu Nivedita is my chittappa (the younger brother of father), and he has stepped out briefly. Please have a cup of tea somewhere and come back soon; I’ll call him on the phone.’
Interestingly, most political and business books are ghostwritten. If it is widely known that a particular genre of book is ghostwritten, there is no surprise or deception.
Madhu Kapoor’s book explores a distinctive feature of contemporary philosophy; it studies the sowing of beliefs, moods, and juggernauts. Entirely not about ethics…yeah it considers ethics as one of the elemental powers that a philosopher keeps in their prowess. However, as it surfaces, the results show that it often lands on scrutinizing the closeness between ethics and the study of the liveable world.
The inaugural session of The Asian MasterClass is scheduled for August 31st, 2024, from 2:00 PM to 3:30 PM GMT+530. In this session, the author of The Witch in the Peepul Tree, shortlisted for The Asian Prize for Fiction, will explore the topic ‘Where do stories come from?’
The Asian Prizes announced the longlist of The Asian Prize for Short Story 2024 edition on the 31st day of July 2024, at The Asian House of Literature, Sri Lanka. The Prize was one of the two prizes given for unpublished work (The Asian Prize for Short Sotry, The Asian Prize for Poetry) by The Asian Group of Literature.
The Asian Review 