‘Contours of Him’ brings remarkable depth to our understanding of men and their bodies, helping to redefine masculinity in ways that are more compassionate, complex, and authentic. By inviting readers into intimate relationships with the physical male form as experienced across diverse cultures, this anthology advances our collective conversation about gender and embodiment
Ngũgĩ wa Thiong’o’s revolutionary decision to abandon English for Gikuyu represented more than linguistic choice—it constituted a radical political act challenging European cultural hegemony. His transformation from James Ngugi symbolises the broader decolonisation project that has defined his career, fundamentally reshaping postcolonial literature and inspiring indigenous language movements worldwide.
Ayọ̀bámi Adébáyọ̀ emerges as one of the most compelling voices in contemporary African literature, establishing herself through work that interrogates Nigerian society whilst maintaining unflinching commitment to authentic storytelling. Her nuanced exploration of marriage, family dynamics, and societal expectations creates literature that resonates both locally and globally.
We sit in the bus recalling how ten years ago, we had to abandon South Sudan to seek calm in Sudan. Here we are again, on the road back to South Sudan, fleeing death. Now we are in a bus bound for safety, but perhaps to the jaws of old death waiting.
Chimamanda Ngozi Adichie’s “Half of a Yellow Sun” stands as one of the most compelling and devastating literary works to emerge from postcolonial African literature, offering readers an unflinching examination of the Nigerian Civil War through the interconnected lives of characters whose personal struggles mirror the broader tragedy of a nation tearing itself apart.
The fact that Café Europa was born during the war is telling. Poetry and war should walk separate paths. Yet it is from their intersection that the word-in-action, or poesis, arises. The Greek root of this word is close to the Sanskrit term for compassion – karuna.
Hi God, How Are You by Manoj Kumar Sharma – Deeply Introspective and Unconventional about Spirituality and Societal Changes
n important challenge for Café Europa today is to build a new bridge of encounter leading to Asia. That is why I would like to initiate the program “Café Europa: A Fly To Asia” with this text. The place where the “flying literary café” will be hosted this time is “The Asian Literary Journal”.
Debasish Lahiri is an internationally acclaimed poet. His poems have been widely published in journals Lahiri’s essay on the pandemic in Kolkata appeared in the L’Obs magazine on 27 th July 2021. Lahiri is the recipient of the Prix-du Merite, Naji Naaman Literary Prize 2019.
When you are fighting for livelihood and life, the language and idioms acceptable are those used by power structures and governments.
The title Anatta, a Pali word meaning “not-self,” points towards a central theme in the anthology: the impermanence of all things, including the self. Buddhist philosophy challenges the notion of a fixed, unchanging self. Anatta proposes instead a fluid, ever-changing entity, constantly shaped by our experience as a body-mind (Nama-Tula) and the world in which it lives.
There is such a clichéd romance in the idea of being an artist’s model. All these women who made it to eternity by posing for the greats. In reality, there was nothing romantic about it. It was tedious and demanding. The body begins to ache from the effort to keep still. The face stiffens from the attempt to preserve the same expression.
Haliru Ali Musa has emerged as the winner of the inaugural Alexander Nderitu Prize for World Literature. The revelation was made on 4 April 2025 via The African Griot Review, an avant-garde arts magazine edited by the founder of the prestigious new prize. Haliru’s beautifully structured and stylishly told story, The Pregnant Ghost, beat out 71 other entries.
Perhaps most significantly, physical books offer a rare commodity in contemporary life: genuine escape from digital surveillance and commercial imperatives. Unlike e-readers that track reading habits, collect data, and interrupt with advertisements or notifications, paper books provide an untraceable, unmonitored intellectual refuge.
I sat in the graveyard, merging effortlessly in the background. When you have crossed your seventies, and you have mastered the art of sitting quietly without taking much interest in your surroundings, letting the hours slip away, it is easier to overlook you. In my case, I was worried the occasional visitor to the graveyard might think I was one of the inhabitants, taking a stroll to free their legs, cramped from lying in the grave for too long!
This is not about teaching her how to walk. This is about cheering her to run in life’s race. Failure isn’t an option, neither for me nor for her, because her accomplishments ultimately become my progress report. Consequently, just like the vast majority of the Singaporean parent population, I interfere unapologetically in my child’s education.
Manu Dash is a bilingual poet, editor, translator, publisher and director of the Odisha Art & Literature Festival. An author of almost thirty books, Dash joined the Anam Writers Movement—an anti-establishment movement in Odia literature—shortly before the imposition of Emergency in India in 1975. He is the founder of Dhauli Books, which won the prestigious Publishing Next Industry Award for the Best Printed Book of the Year (Indian Languages) in 2018.
Lily Tang believes that storytelling has the power to transcend cultures and build the critical connections we need to make the world a better place and has spent the past two years building a youth storytelling fellowship program to empower Indigenous students in Taiwan. Through her writing, Lily explores the transnational Chinese experience and the complexity, beauty, and pain of immigration and diasporic identity.
The Asian Review 