IndiGo’s catastrophic meltdown has devastated India’s literary festival season. International authors stranded for days in chaotic airports, keynote speeches cancelled, cross-border dialogues destroyed. Over 1,000 flights grounded—not by technology, but by shocking mismanagement and greed. India’s cultural reputation lies in ruins as the world’s writers witness our aviation nightmare firsthand.
When this opportunity to visit Belgium came along, I couldn’t think of a better adventure than to make this ‘pilgrimage’ to Geel. It didn’t matter that I couldn’t enter the church since it was closed for the winter because what I came to see was on the outside – the bas-relief depicting the beheading of Dymphna. Wouldn’t it have been more apt if Damon was holding the chopped-off head of Dymphna? Just saying…
The Asian Prizes announces five shortlisted stories for The Asian Prize for Short Story 2025. Selected from submissions across four continents by an international evaluation panel, these narratives from Singapore and India showcase compelling voices in contemporary literature. The winner will be revealed on 31st December 2025.
The Asian Prizes has revealed the shortlist for the inaugural Asian Prize for Poetry 2025. Five exceptional poems from Ukraine, Indonesia, Sri Lanka, Vietnam, and Malaysia have been selected from the longlist, each powerfully engaging with this year’s theme, “The Earth,” through distinct cultural perspectives and artistic excellence.
Hungarian novelist László Krasznahorkai has been awarded the 2025 Nobel Prize in Literature for his apocalyptic vision and distinctive prose style. Known for sentences that run for pages, the 71-year-old becomes Hungary’s second Nobel laureate in literature, following Imre Kertész who won in 2002.
As October 9 approaches, the literary world anticipates the 2025 Nobel Prize announcement. Australian novelist Gerald Murnane leads predictions, while Mexican writer Cristina Rivera Garza emerges as a surprise contender. The Swedish Academy’s selection will likely favor experimental voices over mainstream favorites, potentially honoring underrepresented regions and innovative storytelling approaches.
The 2025 Booker Prize shortlist champions literary maturity over novelty, featuring established authors including previous winner Kiran Desai. These six novels explore identity uncertainty and family disruption, from Susan Choi’s multi-generational Flashlight to Katie Kitamura’s thought-provoking Audition. Though predominantly middle-age narratives, they’re anything but safe or comfortable reading.
The Asian Review Sinhala offers Sri Lankan authors a prestigious weekly literary platform in Gampaha. Submit 6 weeks before your desired event date with video clips, author photos, and biography to theasianreviewsinhala@gmail.com. All events are free and open to authors regardless of location, publishing history, or reputation.
After two years in Sri Lanka, The Asian Review Sinhala transitions into an independent literary platform under The Asian House of Literature. Meet our dynamic new team—Rasika Solanga arachchi (Country Coordinator), Pathum Punchihewa (Lead Moderator), and Oshini Jayarathna (Creative Coordinator)—as we continue fostering Sri Lanka’s vibrant literary community.
The Asian Prizes announces the long list for the inaugural Asian Prize for Poetry 2025, featuring ten works from nine countries exploring the theme “The Earth.” The international jury, chaired by Ukrainian poet Iryna Vikyrchak, selected diverse voices spanning Ukraine, Indonesia, Sri Lanka, Botswana, Vietnam, India, Malaysia, and the Philippines.
The Asian Prizes has unveiled the long list for The Asian Prize for Short Story, featuring ten works from writers across India, Indonesia, and Singapore. The competition attracted hundreds of global submissions, evaluated by an international panel spanning Malaysia, India, Ukraine, and Tanzania. The shortlist announcement follows in October with winners declared by year-end.
Brussels becomes the first European city to host the Asian Literary Festival this October, marking a cultural milestone. The three-day celebration (3rd-5th October 2025) features over 30 events showcasing authors from Asia, Africa, South America, and Europe under the theme ‘Between Worlds—Reviving the Silk Route of Creative Expression’.
The Asian Literary Agency has announced a notable addition to its editorial board with the appointment of author and cultural curator Nirmala Govindarajan. The writer will take charge of the fiction segment as Literary Editor for subcontinental authors, bringing her extensive expertise in contemporary South Asian literature to the agency’s expanded operations.
Verghese’s The Covenant of Water flows like Kerala’s monsoon rivers—patient, powerful, inevitable. Through three generations haunted by mysterious drownings, we discover how ancient wisdom meets modern medicine. This isn’t merely storytelling; it’s an immersion into lives connected by water’s eternal covenant, where individual sorrows merge into humanity’s greater current.
In early 20th-century New York, revolutionary artists abandoned fancy subjects to capture gritty, unvarnished American life. The Ashcan School painted tenements and taverns instead of Fifth Avenue socialites, earning the nickname “apostles of ugliness.” This democratic movement proved ordinary struggles deserved the highest artistic treatment, transforming how America saw itself.
Today marks the International Day of Remembrance of the Genocide in Srebrenica, commemorating the victims of this atrocity. The UN General Assembly adopted the resolution establishing 11 July as this day of remembrance in May 2024, despite opposition from Serbia, China, Russia, Belarus, and Nicaragua.
The Asian Group of Literature and Trogon Global, a UAE-based cultural curation enterprise, embark upon a new journey that promises to stir fresh currents in the global literary landscape. With this pioneering venture, UAE-based cultural curator, novelist and journalist Sabin Iqbal assumes the role of Director Global for both The Asian Prizes and The Asian Festivals.
Nigerian writers were not simply responding to Western literature or colonial narratives; they were creating distinctly Nigerian literary traditions that demanded recognition on their own terms. Their success demonstrated that African stories held universal appeal when presented without compromising their cultural specificity.
The Asian Review, in collaboration with The Asian Prizes, proudly presents The Asian Writing Lab—an ambitious series of interconnected articles designed to nurture and elevate emerging literary voices across the globe.
The Edinburgh Award for Flash Fiction offers writers worldwide a chance to win £2,000 for stories up to 250 words. Open from May to August 2025, the competition welcomes all genres and includes special awards for Scottish writers and quirky stories.
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