Recognising publishers as by-products of writers’ work—as vessels for creative distribution rather than sources of creative legitimacy—would transform Sri Lanka’s literary landscape for the better. It would foster more equitable partnerships, diversify published voices, and ultimately enrich the country’s literary culture.
Literary agencies are indeed gaining momentum. In essence, it is the same as actors/sportspersons having managers, we’re in the author’s corner to help navigate the complexities of the business, support and build on their vision for their books and writing careers. We’re here to help broaden their reach, and open doors to see their writing reach new audiences.
Slaughter’s deft handling of this turbulent period in American history, combined with her trademark suspenseful storytelling, results in a novel that is as thought-provoking as it is thrilling.
Goodreads Lanka recognises South Asia’s unique scenario, in which there is a remarkable majority of printed books per population, despite the troubling issues encountered by authors in terms of low pay, numerous copyright infringements, and a lack of investment from publishers.
As a firm believer in fair business practices, I emphasise that success is a two-way street. If accusations against a publisher hold merit, proper evidence should be presented for a fair judgment. Notably, established and bestselling authors often maintain a trusting relationship with their publishers, recognising the multifaceted investments made, including time and labour.
The Asian Review 