Debasish Lahiri is an internationally acclaimed poet. His poems have been widely published in journals Lahiri’s essay on the pandemic in Kolkata appeared in the L’Obs magazine on 27 th July 2021. Lahiri is the recipient of the Prix-du Merite, Naji Naaman Literary Prize 2019.
When you are fighting for livelihood and life, the language and idioms acceptable are those used by power structures and governments.
The title Anatta, a Pali word meaning “not-self,” points towards a central theme in the anthology: the impermanence of all things, including the self. Buddhist philosophy challenges the notion of a fixed, unchanging self. Anatta proposes instead a fluid, ever-changing entity, constantly shaped by our experience as a body-mind (Nama-Tula) and the world in which it lives.
There is such a clichéd romance in the idea of being an artist’s model. All these women who made it to eternity by posing for the greats. In reality, there was nothing romantic about it. It was tedious and demanding. The body begins to ache from the effort to keep still. The face stiffens from the attempt to preserve the same expression.
Haliru Ali Musa has emerged as the winner of the inaugural Alexander Nderitu Prize for World Literature. The revelation was made on 4 April 2025 via The African Griot Review, an avant-garde arts magazine edited by the founder of the prestigious new prize. Haliru’s beautifully structured and stylishly told story, The Pregnant Ghost, beat out 71 other entries.
Perhaps most significantly, physical books offer a rare commodity in contemporary life: genuine escape from digital surveillance and commercial imperatives. Unlike e-readers that track reading habits, collect data, and interrupt with advertisements or notifications, paper books provide an untraceable, unmonitored intellectual refuge.
I sat in the graveyard, merging effortlessly in the background. When you have crossed your seventies, and you have mastered the art of sitting quietly without taking much interest in your surroundings, letting the hours slip away, it is easier to overlook you. In my case, I was worried the occasional visitor to the graveyard might think I was one of the inhabitants, taking a stroll to free their legs, cramped from lying in the grave for too long!
This is not about teaching her how to walk. This is about cheering her to run in life’s race. Failure isn’t an option, neither for me nor for her, because her accomplishments ultimately become my progress report. Consequently, just like the vast majority of the Singaporean parent population, I interfere unapologetically in my child’s education.
Manu Dash is a bilingual poet, editor, translator, publisher and director of the Odisha Art & Literature Festival. An author of almost thirty books, Dash joined the Anam Writers Movement—an anti-establishment movement in Odia literature—shortly before the imposition of Emergency in India in 1975. He is the founder of Dhauli Books, which won the prestigious Publishing Next Industry Award for the Best Printed Book of the Year (Indian Languages) in 2018.
Lily Tang believes that storytelling has the power to transcend cultures and build the critical connections we need to make the world a better place and has spent the past two years building a youth storytelling fellowship program to empower Indigenous students in Taiwan. Through her writing, Lily explores the transnational Chinese experience and the complexity, beauty, and pain of immigration and diasporic identity.
The Asian Journal of Literature is an annual publication by The Asian Group, the published edition of The Asian Journal, which is located in Gargaon, India. The Asian Journal offers two distinct editions: one for Literature and another for Science. The Journal for literature is now open for submissions.
Pulau Pulau was a matchmaking initiative created for writers by writers to find a writing partner. The aim of the project was finding a writing partner to co-write something together that goes beyond what either could create on their own. It was organised by the archipelago collective, a transnational community of writers and artists. From across the world approx. 80+ writers have participated from 30+ different countries whose are generally writes in 50+ different languages.
Addonia’s emphasis on the body as the primary site of both oppression and liberation distinguishes his approach. Unlike the cool intellectual distance that characterizes much postcolonial critique, Addonia insists on the primacy of physical experience.
The future belongs to those who can integrate the digital fluency of Generation Z with the deep reading capacities of previous generations. In that integration lies our best hope for citizens capable of both technological innovation and ethical wisdom—the combination our unstable world most desperately needs.
In Delhi, there lived a critic- his name was Venkat Swaminathan. I was in touch with him from the time I first moved to Delhi in 1978 until 1982. In 1979, he sublet a room in his house to me. Generally, I don’t ask anyone the usual ‘Indian’ questions, such as, where they work, if they are married, how many kids they have, or whether they own or rent their house.
Dominique Lapierre’s City of Joy transforms statistical poverty into visceral human experience through meticulous research and compelling storytelling. Yet this powerful narrative of Calcutta’s slums raises uncomfortable questions about Western perspectives on Eastern suffering, embodying both the possibilities and profound limitations of cross-cultural understanding in contemporary literature.
On the Grass Trail by N.V. Nair appears to be a travelogue that offers readers a glimpse into the remote and culturally rich regions of North East India and the Andaman and Nicobar Islands. The book chronicles the author’s travels through the mountainous terrains, valleys, and river plains of Manipur and Arunachal Pradesh.
” In an era when gadgets and media are conspiring to shorten the attention spans of readers, turning human beings into cyborgs, or even worse- living, breathing AI models, I see the act of sitting in your favorite spot with your favorite beverage and sinking into your book as an act of silent rebellion. “
Shirani Rajapakse’s Offerings to the Blue God takes its reader along the least taken paths in the Isla’s life. The stories are characterised by a dynamic writing and presentation style, a unique voice that Rajapakshe’s stories often carry, and an unparalleled level of integrity that shines through in each story.
‘Brussels, Naked’ is an experimental novel in the form of twelve interconnected novellas, each named after municipalities or neighbourhoods in Brussels, and each with a different narrator. It covers a period of fifteen years and is built around three main arcs: the life of Iris, Brussels itself as a protagonist and the EU crises, captured in the stories of ordinary people.
The Asian Review 