The Asian Prize for Short Story is an International Prize curated by The Asian Prizes, a subsidiary of The Asian Group of Literature. ‘We had submissions from all over the world, from […]
Sharma’s writing style is imbued with a sense of wonder and reverence for the natural world, inviting readers on an enchanting journey through the cosmos. Her prose is evocative and lyrical, painting vivid landscapes that shimmer with the ethereal glow of the stars
Charu Niveditha is a prolific writer. Bold, unapologetic and defiantly truthful wordsmith. His work has stirred up stagnant social settings, melted down the clouds of norms and mores, and boiled the wrath of the conventional schools of thought. With all of that, millions of readers have gathered around him from all over the world.
The coincidental meeting of two lovers captures the alluring, unpredictable nature of fate in both fiction and reality. The instant two souls collide, whether it be by a quick gaze across a packed room or an apparently random encounter in an ordinary setting, ignites a spark that begins a growing passion.
My Name is Cinnamon’ makes the reader connect with the plot while piping up their curiosity. The reader feels more attached to the novel as the reading progresses. It allows the readers to be in the shoes of an adopted child. The author demonstrates his ordinary skill by providing minute details of Cinnamon’s life, leaving no room for interpretation when it comes to the feelings and emotions of the character.
The Asian Group of Literature has immense pleasure in announcing that the first edition of The Asian Prize for Short Story is now open for submissions. The submissions will be closed on 08th March, and the long list will be announced on 30th June, followed by the shortlist on 15th September. The winner will be announced on 15th December.
Wonder. Those eyes were rounded with wonder the first time his glance caught them. The big rounded eyes, topped with the beautiful golden colour eyebrows arched in the same surprise made him fully turn his head towards those eyes and stare. They had the colour of a pale, grey sky.
Penguin South East Asia introduces an array of page-turners this November. No Room in Neverland, by Joyce Chua, is one of them. It is an addictive and intriguing piece of writing that […]
The Asian Review 