The Tanzanian-born British novelist, who was awarded the Nobel Prize for Literature in 2021 “for his uncompromising and compassionate penetration of the effects of colonialism and the fate of the refugee in the gulf between cultures and continents,” crafts narratives that deftly navigate the complex terrain of displacement, cultural identity, and the lingering shadows of empire.
Oksana Zabuzhko’s groundbreaking novel ‘Field Work in Ukrainian Sex’ addressed gender issues and national trauma, while Yuri Andrukhovych’s ‘Recreations’ explored Ukraine’s cultural positioning between Eastern and Western influences. Serhiy Zhadan’s poetry and prose captured the gritty realities of post-Soviet transition, particularly in eastern Ukraine.
Ukraine’s rich literary heritage suffered systematic suppression under Soviet rule. The policy of Russification meant that Ukrainian writers were often forced to write in Russian or face severe consequences. The “Executed Renaissance” of the 1920s-30s saw an entire generation of Ukrainian intellectuals and writers eliminated through Stalin’s purges.
Addonia’s emphasis on the body as the primary site of both oppression and liberation distinguishes his approach. Unlike the cool intellectual distance that characterizes much postcolonial critique, Addonia insists on the primacy of physical experience.
Dominique Lapierre’s City of Joy transforms statistical poverty into visceral human experience through meticulous research and compelling storytelling. Yet this powerful narrative of Calcutta’s slums raises uncomfortable questions about Western perspectives on Eastern suffering, embodying both the possibilities and profound limitations of cross-cultural understanding in contemporary literature.
India’s Indigenous Immigrants by Subir – a Sensitive Resource on Assam’s Darker Epoch of History.
It is a romanced attempt by a twenty-first-century Western European to read into the mind of a 16th-century Indian monarch
Featured Literature Press – Letter to Future by eShan uncovers the Layers and Grandiose Contours of Existence with its Boundless Philosophical Prowess.
All my works of fiction, in my perspective, involve a dialogue with my readers as well as with the Creator. As a postmodern writer, I intentionally avoid creating closed texts.
What is evident is that walauwas were the houses of the Kandyan chieftains and the Low Country mudaliars. In contrast, the average citizen’s home was known as a ‘pela’, ‘palpatha‘, ‘maduwa‘, ‘kutiya‘ or ‘geya‘. The home of the village chief, the native doctor, vidane arachchi, mudalali, and so on was the ‘gedara’.
There is a concentrated, well-coordinated pushback against the American cultural influence by the entirety of the global south and some of the central and eastern European states. Those pushbacks come in both cultural and religious sense
The Asian Review 