Mieko Kawakami’s Under the Eye of the Big Bird defies categorisation as part novel, part interlinked stories. Set in humanity’s distant future, this ambitious work explores extinction through fragmented narratives that gradually coalesce. Despite its bleak premise, moments of love and humour shine through, creating something genuinely original and haunting.
Writers can compete for £5,000 in prizes across four categories: Open Poetry, Short Story, Book for Children, and Young Poets. Submit your original, unpublished work by 30 June 2025. Prize winners receive professional recognition worth its weight in gold. Visit wellsfestivalofliterature.org.uk for guidelines.
Seán Ó Faoláin International Short Story Competition opens for 2025 submissions, offering a €2,000 first prize and featured reading at Cork International Short Story Festival. Running until 31st July, the competition welcomes unpublished stories up to 3,000 words from writers worldwide, judged by acclaimed Australian author Laura Jean McKay.
Ethos Literary Festival returns on 7th June 2025 at Ambassador Hotel, featuring prestigious book launches, interactive pitch sessions with leading literary agent Suhail Mathur, and ceremonial presentations by renowned professors. The day-long poetry celebration, organised by Harwal Publishers, concludes with the coveted Ethos Literary Award 2025 presentation ceremony.
We’re launching our inaugural global internship programme for 2026! University students worldwide can join us as moderators, reviewers, social media promoters, event curators, or editorial assistants. This fully remote, six-month programme offers invaluable literary publishing experience. Applications due 31st August 2025. Subject: “Internship 2026”. Join our literary journey!
Kenyan author Ngũgĩ wa Thiong’o, who transformed African literature by writing in his native Gikuyu language, has died aged 87. The Nobel Prize contender, imprisoned and exiled for his political views, spent decades championing indigenous African voices. His revolutionary decision to abandon English challenged colonial literary dominance forever.
” And this reminds me of a quote attributed to Toni Morrison which goes something like “If there is a book you want to read, but it hasn’t been written yet, then you must write it”.
Arundhati Roy exists as literature’s most uncompromising truth-teller, a writer whose pen serves simultaneously as artistic instrument and political weapon. Her singular career trajectory—from Booker Prize-winning novelist to fearless activist-essayist—represents one of contemporary literature’s most compelling arguments for the writer as public intellectual, refusing comfortable boundaries between art and politics.
The Asian Review has achieved a remarkable milestone, ascending from 13th position in 2023 to 10th in Feedspot’s global literary magazine rankings. Competing amongst 2,500 publications worldwide, this achievement reflects genuine reader engagement from 40 million monthly visitors across 195 countries, establishing the magazine as Asia’s premier literary voice.
Recognising publishers as by-products of writers’ work—as vessels for creative distribution rather than sources of creative legitimacy—would transform Sri Lanka’s literary landscape for the better. It would foster more equitable partnerships, diversify published voices, and ultimately enrich the country’s literary culture.
The Tanzanian-born British novelist, who was awarded the Nobel Prize for Literature in 2021 “for his uncompromising and compassionate penetration of the effects of colonialism and the fate of the refugee in the gulf between cultures and continents,” crafts narratives that deftly navigate the complex terrain of displacement, cultural identity, and the lingering shadows of empire.
In recent decades, Korean literature has emerged from relative obscurity to claim its rightful place on the world stage, bringing with it distinctive narrative approaches, thematic concerns, and aesthetic sensibilities that have significantly expanded the palette of global literature
Vidya Math is a Cambridge-based author who was born and raised in Scotland. Her background includes scientific discoveries in Microbiology, running a dance school, performing dance, and songwriting with a love for poetry. She has also written “The Book of Stamps” and “The Luminosity of Crystals & Dimensions of the Heart.” Some of her life’s skills are evident in this book such as dancing.
The Asian Book Eye is committed to amplifying the voices that have been marginalised, overlooked, or deliberately silenced across the vast tapestry of Asian literary communities, from South Asian powerhouses to East Asian markets, from Southeast Asian emerging voices to Central Asian storytellers whose narratives rarely cross borders.
The story of how South Asian writers claimed their space in global English literature represents one of the most successful cultural appropriations in literary history. By transforming a colonial imposition into a medium for decolonial expression, these writers have not merely secured recognition but have fundamentally altered the landscape of English literature itself.
When she faced one of the original Sunflowers paintings, back in that distant summer, at that same museum, she had felt a surge of inexplicable tender joy, mixed with sadness. It had a pale yellow background and it was a copy of one of the first four versions that Van Gogh had painted in the summer of 1888 in Arles.
Han Kang’s literary landscape is one where beauty and brutality coexist in uncomfortable proximity, where the body becomes both canvas and battlefield for psychological and historical trauma. Her prose, marked by crystalline precision that renders the unbearable tangible, transforms collective wounds into universal meditations on human existence.
As The Asian Review Sinhala prepares to enter this new phase on 1st June 2025, it stands as a testament to the enduring value of literature and the importance of community-driven cultural initiatives. In choosing independence and forging international partnerships, the publication is not merely ensuring its own sustainability but is actively contributing to the enrichment of Sri Lanka’s literary landscape.
Paul Lynch occupies a singular position in contemporary Irish literature—a writer who has consistently pushed against the boundaries of conventional storytelling to excavate the darkest corners of human experience. His 2023 Booker Prize victory for Prophet Song represents acknowledgement of a literary project building momentum for over a decade.
Ukraine’s rich literary heritage suffered systematic suppression under Soviet rule. The policy of Russification meant that Ukrainian writers were often forced to write in Russian or face severe consequences. The “Executed Renaissance” of the 1920s-30s saw an entire generation of Ukrainian intellectuals and writers eliminated through Stalin’s purges.
The Asian Review 